VAUXHALL GARDENS More Miscellanea This work was completed for Vauxhall for display in the Saloon, the extension to the Music Room shown above, by about mid-May 1762, in the wake of the Year of Victories, 1759. The tide of the struggle for global dominion had turned Britain's way. The picture is discussed in History Today, June 1995, in an article by Brian Allen entitled Rule Britannia? History Painting in 18th Century Britain. Seven Admirals are said to be portrayed: Hawke, Pocock, Boscawen, Anson, Saunders, Keppel and Howe. The chap on the far left edge appears to be slightly ill-favoured. Britannia holds a profile of George III. Allen remarks that although the Vauxhall supper-box paintings "were mostly frivolous in their subject-matter, several, in particular those by the marine painter, Peter Monamy, depicted episodes from the current conflict with Spain, the so-called War of Jenkins' Ear." As the other pages on Vauxhall on this site demonstrate, The Taking of Porto Bello was virtually the only such episode depicted. The Capture of the San Joseph seems, in retrospect, to be little more than an act of piracy; and it might be worth investigating just why this incident was thought important enough to record in this manner. Perhaps because it took place so early on in the hostilities, and perhaps also because it was seen as a satisfying form of retribution for the the loss of Captain Jenkins' ear. It certainly appears to have been rather promptly forgotten. another look at the picture display more bright lights here The cold transparent ham is on my fork --- Thomas Hood: 1799-1845 |
© Charles Harrison Wallace 2005, 2007
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