 Said to be the Ark Royal, Lord Howard of Effingham's flagship, 1588. Allegedly after Sailmaker. A very improbable attribution, but even if not by him it exemplifies the manner associated with him and shows how primitivism retains vitality despite virtuosi and other detractors. From a reproduction on a modern card.
 Discovery of the print at right reduces the attribution to Sailmaker virtually to nil. The Great Harry, drawn by Holbein, engraved in aquatint by Richard Reeve, etched by Cruickshank, 1834. From Naval Prints, Frank T.Sabin, 1934-5.ISAAC SAILMAKER: THREE ShipsSince Sailmaker never signed his paintings, his work in oil tended to be confused over time with other painters, perhaps especially Jacob Knyff. Apart from Vertue's notice, however, the significant number of prints which credit his name probably provide a sufficiently authentic starting-point for an overall assessment. There will be many paintings ascribed to him on very flimsy evidence, however.  recently attributed to sailmaker by an auction house see Sailmaker's lighthouses, here paired with the painting above it Said to be the Lion; 20 x 33½; exhibited Rutland Gallery, 1963
 The original for the print, below, of the Britannia ?
 The works of Sailmaker are a large, difficult and complicated subject of study, not least because of his exceptional longevity. I do not expect to make sense of it in a hurry, if ever. It takes half a lifetime to begin to understand these disgracefully neglected marine painters, who were once the very soul and spirit of the English nation. It is little wonder that Hogarth hated the smug connoisseurs so intensely. Pictures may be added here as I come across them, if they seem to be of interest.


 attributed to sailmaker attributed to monamy
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