| The Britannia and/or Royal Sovereign The detail, left, from the above photograph shows that the ensign sports a pre-1707 canton, and there are significant differences in the stern carvings. Kirkall's mezzotint was made in the 1720s, but the point at issue is: whose painting did he have before his eyes? There is every indication that it was not an original William van de Velde Jnr, but either a copy by son Cornelius, or possibly a painting by Monamy. It begins to look very much as if Cornelius, Monamy and Kirkall worked together to produce the 16 prints. This painting, now at Greenwich, with canton detail left, was judged by M.S.Robinson to be "probably a copy or studio version" of the previous painting which was destroyed in the war. The most obvious differences are in the treatment of the clouds and sky, but perhaps it also has a slightly rougher feel to it, although the match is very close. At a guess, this is Cornelius, "who made good copies from his father's works", according to Horace Walpole. Robinson had assumed it was by Monamy. See next page. kirkall: battles kirkall: storms prints, prints, prints |
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