enigma variations i
The first appearance of a painting displaying the basic arrangement of shipping examined in the sequence of eight compositions, A, B, C, C1, D, E, F, G, on this page is, to my knowledge, picture B below, auctioned in 1972 and attributed to Monamy. The name Thomas Leemans doesn't seem to appear in anything written about the marine genre before about 1980, although I haven't read everything. Painting D, below, attributed to Leemans, was auctioned in 1982. The catalogue note remarks "For further information on the artist see E.H.H.Archibald, A Dictionary of Sea Painters, 1980, p.131." Archibald's entry, in full, reads: "Surviving paintings signed 'T.Leemans' show him to have been a follower of Willem van de Velde II, in the generation of Peter Monamy. Known examples date to around 1720; though inferior to Monamy they have a finished, glossy quality. One distinctive feature is his tendency to exaggerate the sparring of his ships, particularly the length of the yards." No illustration or other information is supplied, and it is not possible to tell how many paintings Archibald's summary is based on. Personally, I would date these paintings to some time after, possibly well after, Monamy's death. ? ? ? royal occasions: starboard quarters port quarters © Charles Harrison Wallace 2003
A. 30 x 25, unsigned, ascribed T.Leemans, see Cockett p.111
Thomas (?) Leemans
&
Compositions featuring the Royal Standard
B. 32¾ x 49¼, Sotheby 13/12/72, lot 139, ascribed to Monamy
C. dimensions unknown, perhaps 32 x 44, ascription unknown, presumed unsigned
C1. very close variant of C above, recently ascribed to Leemans
Formerly attributed to Monamy; dimensions 39¾ x 50, and described as
"The Royal Yacht Augusta off Harwich: George II returning from Hanover"
D. 25 x 30 auctioned as T.Leemans, 19/11/1982, lot 61
B C D
A B C
Picture A, and the detail from B, though extraordinarily close, do not appear to be exactly identical
A E F 
E. dimensions and ascription unknown, on art market pre-1980
F. 41 x 51, ascribed to Monamy, presumed unsigned. A catalogue note says:
possibly the Royal William ..... rebuilt in 1692. The standard of Queen Anne
indicates that the queen was visiting the ship.
G. ascribed to Monamy
This is the same painting, attributed in different sources to Monamy and Leemans.
It has also been attributed to Swaine.
Signed T.Leemans. Sotheby's. Cockett, p.108
royal sovereign composition types: one two relatively tall/narrow
royal sovereign composition types: a. starboard b. port broad
royal occasions: calm waters fresh winds
calms, calms, calms
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