![]() Mr and Mrs Garrick, by William Hogarth, 1757 52¼ x 41. From Hogarth the Painter, by E.Einberg. "As a painter [Hogarth] had but slender merit". Horace Walpole Two fingers to you, Horace.
It is of particular interest that at the same sale of David Garrick's collection, three paintings by Monamy, a calm, a sunset, and a fresh breeze, were also auctioned. They fetched modest prices, totalling five guineas, but they were the only seapieces. Other English artists represented were Hayman (3 pictures), Marlow (3), Wootton (1), Lambert (1) and Morland (1). The theatrical interest in the collection is strongly in evidence: Morland's painting was a portrait of Peg Woffington; Hayman and Lambert had both worked in the theatre. It seems possible that Monamy had also produced scene-paintings. There were three paintings by de Loutherbourg, though none of them were seascapes. Here is The Prologue to Taste, 1753, which was "Written by Mr GARRICK, And spoken by him in the Character of an Auctioneer": Not exactly a verse masterpiece, but the message of both play and prologue is plain enough. Auctioneers, and other dealers in antiquities, are presented as master charlatans. Their success depends on the pretensions and ignorance of their customers, Lord Dupe and Lady Pentweazel. English artists are reduced to penury, but make a living manufacturing Roman fakes, as illustrated in the engraved frontispiece. The customers are thus nevertheless supporting English craftsmanship, without knowing it. At Christmas, 1759, David Garrick wrote Heart of Oak, with music by Dr William Boyce. In 1768 the Americans John Dickinson and Arthur Lee re-wrote some of the words, adding the second stanza given below. American libertarians at this date were still loyal to Britannia's glory and wealth. Garrick's lines owe more than something to John Gay's Polly, Act II, Scene ii, 1729: Garrick's authorship of Heart of Oak had me puzzled for quite some time. The puzzle was answered by Gwynn's Huguenot Heritage, wherein is related that Garrick's grandfather, also named David, escaped persecution in France by way of Brittany and Guernsey. Not only that, but soon after his escape he became a part-owner in two privateers named The Protestant Cause, and a third, called the Revenge. Pp 156 & 186. Garrick's 20th century direct theatrical descendant was Laurence Olivier, who shared other traits with the 18th century's greatest actor. Olivier was also of Huguenot descent. The Reverend Jourdain Olivier, said to be an ancestral kinsman, was chaplain to William of Orange. In The Observer, May 6, 2001, a reviewer named Peter Conrad noted that "The Olivier who rallied his troops at Agincourt in the name of England and St George came from a Huguenot family." The postionings run parallel. Olivier also delivered a more than notable Richard III: and there even seems to be some physical resemblance. Note the crucifix in Hogarth's picture: little in his oeuvre is without significance. 1759 --- the wonderful year In British naval history 1759 is known as the Year of Victories. "The echoes of the bells that rang for victory in 1759 have only recently died away ..... victory was achieved ..... because of ..... William Pitt ..... and the exercise of British sea-power". Ludovic Kennedy, Introduction to The Seven Years War, 1973, by Rupert Furneaux. Mr Walker: Archetypal Connoisseur © Charles Harrison Wallace 2006 mail cichw-0@cichw.net |