A SECOND CONFERENCE PAPER

Slides Accompanying Presentation
with annotations

Slide 1

Slides 2 & 3
Conversation Piece


The figures in this painting are now attributed to Gawen Hamilton, 1697 (?) to 1737

Slide 4: from Vertue's notebook 1749
Errors in Red


ordinary painting: this term has been repeatedly misinterpreted in much subsequent comment

Slide 5

Slide: Bute Sale

Slide 6

“Sea piece … presented to the Painter’s Company …1726” George Vertue, Notebooks, 1727

“.......destroyed in World War II”
E.H.H.Archibald, 1980 --- Stephen Deuchar, 1996

Painter-Stainer’s Hall, 2003

Slide 7

"The finest instance of ..... an unenquiring mind"
“What we should expect from a former house-painter who had never experienced the suspense,
the terrors, the immensities of deep sea roving.”
E.K.Chatterton 1928

Slide 8

"Little Variety"

Slide 9

“most of his career was devoted to careful imitations of van de Velde’s style”

Grove Dictionary of Art 1996

Slide 10

"He is reputed to have excelled in calms"
Samuel Redgrave, 1878
“His chief fault is a total lack of accent; all is harmonious, even tender”
Colonel M.H.Grant, 1926

Slides 11, 13

The Signal to Anchor
subject? date ?

”Arrival of the Queen of Portugal 24 Sept 1708”
RA Exhibition 1934 -- F.B.Cockett 2000 -- NMM website 2004


George I Rex 1714-1727

Slide 12
from the National Maritime Museum website, November 2004

Slides 14, 15, 16

"House Painting" --- Marine Paintings Wall-to-Wall
mid 18th century: interior by Marcellus Laroon


Left: a painting by Monamy. Right: wall decorations probably by Scott, following Monamy. Laroon was one of Scott's circle

Marine Paintings
mid 18th century: interior by Zoffany


Centre: van de Capelle?       Right, and possibly left: Monamy ?

Marine Paintings
Lower left: Marcellus Laroon c 1730       Right: J.M.W.Turner 1818

Slides 17-20

“he found his subjects … in shipping in the Thames”
Thames & Hudson Dictionary of Art 1984

“His colour … was somewhat tame and ineffective”
DNB 1894



2005 conference paper text
monamy website index

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© Charles Harrison Wallace 2005
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